Enneagram type 2 song3/21/2024 Then at the beginning of 2013, he began the Atlas project, a project somehow even more ambitious in its scope, which is still ongoing today. The Yearbook series in 2010-11 found Ryan putting out a series of twelve three-song EPs with the crazy constraint of having to write and produce each one within the span of a month. 2009’s Storyboards, made when SAL was still a duo, remains the last “album” they’ve put out in the traditional sense – everything they’ve done since then has been released online more or less as it was ready to unveil to the world, without needing to wait for a physical album release. If you’re not familiar with Sleeping at Last, then I’ll get you up to speed as quickly as I know how – the project began life as a three-piece indie rock band in the early 2000s, drifting away from an electric guitar-driven sound and more toward a hushed, piano and acoustic-guitar based brand of baroque pop over time. But what might not qualify as science still makes excellent fodder for art, and that’s where SAL’s attempt to personify each of the nine Enneagram types as individual songs comes into play. It’s an area where I figure our understanding of ourselves is a bit fluid, and every attempt to sort us all into convenient categories is an abstraction at best. I’m somewhere in between, since I’m always a sucker for personality tests and the different lenses they can help us to view ourselves through, but at the end of the day I’m not likely to base major life decisions on the results of those tests. Others write it off as pseudo-scientific fluff. As it turns out, the Enneagram has been used quite a bit in context ranging from business to spirituality and self-help, with some seeing it as an incredibly useful tool of self-discovery that helps them to better manage their relationships to other people, and in some circles you’ll even find a rather cult-like devotion to the idea. I honestly wasn’t familiar with the term until Ryan O’Neal, the singer/songwriter behind Sleeping at Last, announced how he had mapped out the aspects of the human experience he intended to explore on “Year Two” of his ongoing Atlas series. Perhaps you’ve heard of this thing called the Enneagram? In a nutshell, it’s a model that breaks the human psyche down into nine different archetypes, and attempts to explain how all nine of those are interconnected, in ways that can be both complementary and dissonant. And with nine tracks exploring a consistent theme, it’s the closest thing to a traditional album that SAL has put out since the Space series during Year One. I love this song because it’s unclear if the speaker (Taylor?) is apologizing, offering an explanation, or simply say saying, “you had it coming.In Brief: While there isn’t as much interactivity between these songs as I had imagined there might be, the musical diversity and attention to detail in exploring each personality type makes it a worthwhile series of character studies. Big picture, the song follows someone seeking out adventure and pleasure when her life becomes dull. And then maybe regrets it?Īnyways, I’m getting too caught up in the lyrical analysis. Then her partner (“C*lvin H*rris?) is all like, “Sorry, what were you saying I wasn’t listening?”įacing an emotionally distant lover, living in a house with a boring picket fence, our narrator did-in fact-decide to with. The narrator (Taylor?) is all like: “I’m tired of not having fun and not being happy, not being in love - so I’m going to with. High Infidelity depicts a relationship riddled with conflict, resentment, passive aggression, emotional unavailability, and perhaps too many metaphors. “Do you really wanna know where I was April 29th? Do I really have to chart the constellations in his eyes?” - Enneagram Type Seven The girls are out and about, painting the town with glitter, Johnny! She sings, “all the girls that you’ve run dry have tired, lifeless eyes because you burned them out.”īut this time around, Jonathan Mayer (or whoever) didn’t steal no glimmer from NOBODY. ” In the iconic, anger-infused break-up ballad, Taylor calls out a manipulative guy for leaving a wake of destruction throughout his serial dating habits. In “Bejeweled,” Taylor reflects on a relationship that didn’t give her enough space to shine bright like a diamond (which reminds me - new Rihanna music, yay!).Īnyways, she breaks up with the vibe-killing-style-cramper and then transcends into her “This Little Light of Mine, I’m Gonna Let it Shine” Era (which reminds me of this incredible scene from the Fresh Prince of Bel-Air ).īejeweled feels like a redemption song from the heartbreak Taylor sings about in “ Dear John. Type Threes are alluring, charming, and hyper-aware of their image. “I can still make the whole place shimmer.” - Enneagram Type Three
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